Best Blue Eyed Soul Albums

Carson Allen "Blue Eyed Soul" Photo Shoot
Image: Carson Allen "Blue Eyed Soul" Photo Shoot by Carsoncoleallen (CC BY-SA 3.0)

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Blue-eyed soul is a useful, but debated, retrospective label for soul- and R&B-influenced music by white performers; it is not a technical genre boundary and it should not erase the Black musical traditions from which the style draws. The records here are commonly discussed in that context because of their vocal approach, songwriting, production, or reception. This is a list of distinct studio albums, not ten pressings of the same record. For an original-era title, a legitimate new reissue or a clearly graded used original is safer than an unverified ‘rare’ listing; confirm the catalog number, format, and track list before buying.

# Product Price Where to buy
1 Daryl Hall & John Oates — Abandoned Luncheonette $10–$35 Amazon · eBay
2 Daryl Hall & John Oates — Voices $8–$30 Amazon · eBay
3 Daryl Hall & John Oates — Private Eyes $8–$30 Amazon · eBay
4 Boz Scaggs — Silk Degrees $10–$35 Amazon · eBay
5 Average White Band — AWB $10–$35 Amazon · eBay
6 Steve Winwood — Back in the High Life $10–$35 Amazon · eBay
7 George Michael — Faith $12–$40 Amazon · eBay
8 Simply Red — Picture Book $10–$35 Amazon · eBay
9 Simply Red — A New Flame $10–$35 Amazon · eBay
10 Michael McDonald — If That’s What It Takes $10–$35 Amazon · eBay

The picks, in detail

Daryl Hall & John Oates — Abandoned Luncheonette
Pick 01 of 10

Daryl Hall & John Oates — Abandoned Luncheonette

The duo’s 1973 Atlantic album is an early, album-length Hall & Oates statement, with ‘She’s Gone’ anchoring a set that sits between Philadelphia soul, pop, and singer-songwriter writing.

  • Daryl Hall & John Oates studio album
  • original release: 1973
  • Atlantic Records era
  • CD and vinyl editions circulate
Pros

  • A strong starting point for the duo’s early soul-informed catalog
  • Distinct album rather than a later hits package
Cons

  • Used editions vary substantially in pressing and condition
Daryl Hall & John Oates — Voices
Pick 02 of 10

Daryl Hall & John Oates — Voices

Released in 1980, Voices is the streamlined pop-soul pivot that produced ‘How Does It Feel to Be Back’ and ‘Kiss on My List,’ making it a direct route into the duo’s crossover period.

  • studio album
  • original release: 1980
  • includes ‘Kiss on My List’
  • available used on CD and vinyl
Pros

  • Captures the duo’s polished early-1980s sound
  • A full studio album rather than a compilation
Cons

  • Original vinyl copies are common, so condition matters more than scarcity claims
Daryl Hall & John Oates — Private Eyes
Pick 03 of 10

Daryl Hall & John Oates — Private Eyes

Private Eyes is the 1981 follow-up for listeners who want Hall & Oates at their most radio-ready, combining the title song and ‘I Can’t Go for That (No Can Do)’ on one original studio album.

  • studio album
  • original release: 1981
  • includes ‘Private Eyes’
  • includes ‘I Can’t Go for That (No Can Do)’
Pros

  • Two defining songs appear in their original album setting
  • Widely available in legitimate used physical formats
Cons

  • Do not confuse it with similarly titled compilation packages
Boz Scaggs — Silk Degrees
Pick 04 of 10

Boz Scaggs — Silk Degrees

Boz Scaggs’s 1976 Columbia album is a polished West Coast soul-pop landmark, built with the musicians who would become Toto and containing ‘Lowdown’ and ‘Lido Shuffle.’

  • Boz Scaggs studio album
  • original release: 1976
  • Columbia Records
  • CD and vinyl editions available
Pros

  • A canonical album-length example of sophisticated 1970s soul-pop
  • Useful for listeners who prefer studio-band detail to raw garage soul
Cons

  • Later remasters and originals can have different mastering and packaging
Average White Band — AWB
Pick 05 of 10

Average White Band — AWB

The Average White Band’s 1974 self-titled Atlantic album is a funk-forward pick rather than a soft-rock one, and it contains the instrumental ‘Pick Up the Pieces.’

  • Average White Band studio album
  • original release: 1974
  • Atlantic Records
  • includes ‘Pick Up the Pieces’
Pros

  • Adds tight funk playing to a blue-eyed-soul collection
  • A distinct Scottish band album, not an anthology
Cons

  • Instrumental funk emphasis may suit listeners less interested in vocal ballads
Steve Winwood — Back in the High Life
Pick 06 of 10

Steve Winwood — Back in the High Life

Winwood’s 1986 solo album uses soul, pop, rock, and gospel-informed vocals in a polished digital-era production, with ‘Higher Love’ as its best-known track.

  • Steve Winwood studio album
  • original release: 1986
  • includes ‘Higher Love’
  • available on CD and vinyl
Pros

  • A good bridge between classic blue-eyed soul and 1980s adult pop
  • Full original studio sequence
Cons

  • Its production is distinctly 1980s rather than vintage R&B
George Michael — Faith
Pick 07 of 10

George Michael — Faith

Faith is George Michael’s 1987 solo debut, a pop record with major R&B and soul framing that is often included in blue-eyed-soul discussions; it is not a traditional soul-only album.

  • George Michael studio album
  • original release: 1987
  • solo debut
  • CD and vinyl editions available
Pros

  • Essential late-1980s crossover context
  • Legitimate reissues make it easy to buy without chasing a fragile original
Cons

  • Genre classification is broader pop/R&B crossover, so it will not satisfy a purist soul-only search
Simply Red — Picture Book
Pick 08 of 10

Simply Red — Picture Book

Simply Red’s 1985 debut is a British pop-soul album with Mick Hucknall’s voice at the center; ‘Holding Back the Years’ gives the record a clear entry point.

  • Simply Red studio album
  • original release: 1985
  • debut album
  • includes ‘Holding Back the Years’
Pros

  • A natural British-pop-soul complement to the American records here
  • Available on established CD and vinyl editions
Cons

  • The sound leans pop-soul rather than deep-soul revivalism
Simply Red — A New Flame
Pick 09 of 10

Simply Red — A New Flame

A New Flame is Simply Red’s 1989 studio album and a slicker continuation of the group’s soul-pop approach, with ‘If You Don’t Know Me by Now’ as a prominent cover performance.

  • Simply Red studio album
  • original release: 1989
  • includes ‘If You Don’t Know Me by Now’
  • CD and vinyl editions available
Pros

  • Useful for listeners who want a smoother late-1980s production style
  • A complete album rather than a single-track purchase
Cons

  • Its signature song is a cover, so explore the full track list before buying for one performance
Michael McDonald — If That’s What It Takes
Pick 10 of 10

Michael McDonald — If That’s What It Takes

Michael McDonald’s 1982 solo album turns his Doobie Brothers-era vocal style into an adult soul-pop record, led by ‘I Keep Forgettin’ (Every Time You’re Near).

  • Michael McDonald studio album
  • original release: 1982
  • includes ‘I Keep Forgettin’
  • available used on CD and vinyl
Pros

  • A clear solo entry for listeners drawn to McDonald’s blue-eyed-soul vocal style
  • Original studio album, not a Doobie Brothers compilation
Cons

  • Original vinyl is an early-1980s pressing; inspect grading and seller photos

Buying tips

  • Treat blue-eyed soul as a listening guide, not a claim that any artist belongs to a settled genre canon.
  • Buy a full studio album when you want the original sequencing; compilations are legitimate products but are different releases and can omit key album tracks.
  • For used vinyl, verify pressing, grading, track list, and return policy. A low price can reflect condition, not a bargain pressing.

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